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[theme song]
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♪ We can be happy ♪
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♪ Still ♪
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♪ If they let us ♪
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♪ We look for a corner ♪
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♪ Close to heaven ♪
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♪ If they let us ♪
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♪ We do with the clouds ♪
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♪ Velvet ♪
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♪ And there the two of them together ♪
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♪ Close to God ♪
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♪ It will be what we dream of ♪
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♪ If they let us ♪
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♪ We are going to love each other ♪
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♪ All life ♪
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♪ If they let us ♪
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♪ We are going to live ♪
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♪ To a new world ♪
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♪ I think we can see ♪
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♪ The new dawn ♪
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♪ Of a new day ♪
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♪ I think that you and I ♪
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[cell phone ring]
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♪ We can be happy ♪
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♪ Still ♪
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[cell phone ring]
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♪ If they let us ♪
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♪ We look for a corner ♪
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♪ Close to heaven ♪
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[remembers Güero's voice]
If this cell phone ever rings,
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I'm dead.
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[cell phone ring]
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So, run.
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Run, my little darling, because I'm not going
to be there to help you.
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And if you get somewhere alive,
pour a tequila in my memory,
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- for the good times, my chula.
-Mugre Güero, get off!
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Yes, my life. Yes, yes. We had to live that.
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Ya, mommy. Yeah, yeah...
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[cell phone ring]
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Good.
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[male voice]
They killed Güero, Teresa.
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They killed your husband.
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So run, run as much as you can
because now they are going to kill you.
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[Güero] Run, Teresa. Runs.
Run and don't stop running.
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Run, Teresa. Run, run.
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[fast percussion music]
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[glass breaks]
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[stifled sobs]
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[tension music]
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[instrumental music]
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[instrumental music]
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[instrumental music]
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[mariachi music]
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[mariachi music]
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[mariachi music]
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-Oh!
-What happened, my Teresita?
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Well, am I that ugly?
Or is it that you no longer recognize your carnalita?
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-It's me, Lupe!
- Lupe, I wanted...
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Well, I came for...
Nothing more than...
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Until you finally remember us.
All these envious girls
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they were saying that you
and your comadre Brenda had turned
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very pipirisnais,
that they no longer wanted to visit us again,
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after you got out
the lottery with your güerote.
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Teresita, have you always been married?
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-What's wrong with you, Teresita?
- Nothing.
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There's the boss's bodyguard.
That one always changes
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fed up wool
Wait for me a little while, okay?
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{\an8}Clear accounts, long friendships.
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{\an8}[Teresa] Thank you, Mrs.
[woman] Thank you very much.
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Come back soon.
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Teresa. Teresa, look who's here.
That guy, cool popi.
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It's been here twice
this week and it's for you.
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Come closer, idiot!
Can't you see that Brenda is
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making balls with money
of that pair of daddies?
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- Take advantage, come closer.
- Ah, have you seen, my Chino?
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Look, look, look at her.
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Chinese, did you see her? It is
chaparrigordita and fondilloncita,
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as the doctor prescribed it for me, brother.
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- Here he comes, my Güero.
-Here he comes and he's already fallen.
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Wait until...
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Good night.
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- Good night, my queen.
-How are you?
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[Theresa]
Good night. What happened?
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that I got nervous
and I lost count.
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- Let's see, don't worry. How much was it?
- Ninety-three thousand.
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-How much did you give the lady?
- Ninety-three thousand pesos, my queen.
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Well, at today's exchange rate
there are eight thousand five hundred...
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-Don't you use a calculator?
- ...twenty-two. No, sir.
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-How pretty! Hey?
- No. I'm counting.
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- It's 8,500 dollars...
-Pretty! How delicious you smell.
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is doing
that I was wrong. Please.
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- That's it.
-What beautiful hands you have.
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Here's your money.
Good luck to you, eh? Pray him!
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Don't beg for it, okay?
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He is the Güero, the "Güero" Dávila,
the king of short tracks.
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-AND?
-And his cousin "Chino" Parra.
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How did you want me to wear
Let's tell if I almost fall
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the panties of emotion?
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We conquered them, manita!
We conquered them!
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Oh, Brenda, don't be stupid!
Those guys are bad,
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They just want to make fun of us.
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And, just so you know,
to me that Güero
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It makes me feel fat.
Plus it's so tall
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who thinks it's a big deal.
How do you think?
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His blue eyes and all that, I'm fine
hat For me, let it go to hell...
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Where do you want to send me, my queen?
Yes I just arrived
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and I just came for you.
So pretty and so rude.
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I have to go
to work and so do you.
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I just want to invite her
to go out for a little while, nothing happens.
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Come on, Teresita! Say yes!
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Let's all four go
and we will have a great time.
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Say yes.
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And you, what did you say?
"I already had this piss," right?
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Well, no, Güero, it's not going to happen.
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Grab one of those teiboleras,
that there are many. Come on!
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You go ahead!
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That's how I like them, bloody and difficult,
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to make them fall in love and sweeten their lives.
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[laughs]
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What's up, little girl? Are you crying?
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No... No, I'm leaving.
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Chalet! May it go well for you.
Greetings to Güero.
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[tense music]
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[tense music]
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[mariachi music]
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- Good. What can I serve you?
- A cactus juice.
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[mariachi music]
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[player]
One, two, three!
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[other player]
Ah, what a good move!
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[Brenda] Did it move?
[Chinese] Is all that yours?
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And yours, daddy.
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[laughs]
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Have you already seen that the Chinese
and Brenda get along very well?
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Yeah.
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Gracias.
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-Are you OK?
- Yeah.
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-¿Segura?
- Yes. No, what...
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It's just that I don't...
I'm not like Brenda.
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I'm not like the other girls who...
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I would like to be,
but, the truth is... I don't know,
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they like someone and they leave
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with him without making so many balls
in the head and I don't...
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- No no. Can't.
- I know.
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[instrumental music]
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Why are you going out with me, Güero?
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Well, because you are retefea.
And I really like ugly ones.
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Menso!
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Hey, no, no, seriously.
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You and I like each other a lot and...
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and, the truth,
you always resist me.
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And now... my curiosity got piqued.
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[soft instrumental music]
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Hey, Teresa,
Why is it so hard for you to let yourself love you?
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Am I the first?
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I say, because a woman like you, so
beautiful, having had many men.
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No, you're not the first.
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The first
They were some kids from the neighborhood
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when I was 14 years old.
There were like... like six.
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And then, they all grabbed me
and... and they introduced me.
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Does that count? Because if not,
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well... we can count
to the unfortunate man who put me
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on a treadmill on Juárez Street and...
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and then the favor was paid.
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And never... never
nothing good has happened to me
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with the men.
Until you arrived.
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Nobody ever
he had invited me to dance
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or had he sent me
flowers...
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or had told me things
what you tell me Because also,
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You make me laugh a lot, manso.
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Although, the truth is, I don't know,
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It feels like... weird.
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Nice, then, but strange.
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[soft instrumental music]
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Guero...
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Are you and I going to make love?
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Well, the truth,
I had never thought about it.
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Oh, what a liar you are!
Of course.
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Well, why do I tell you no,
yes yes?
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And you?
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Why do I tell you no, if yes?
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But I want to tell you something:
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I'm not very good at that
of making love.
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But you're going to be the best,
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when you do it with your man.
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you will like it
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when you do it with me.
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[soft instrumental music]
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00:13:24,434 --> 00:13:26,434
-Oh, yes?
- Yes,
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so...
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It may be better.
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[soft instrumental music]
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[Mexican background music]
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00:13:54,667 --> 00:13:55,968
[mark on cell phone]
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[cell phone ring]
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00:14:01,834 --> 00:14:03,133
Brenda!
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00:14:04,167 --> 00:14:05,934
[cell phone ring]
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00:14:06,133 --> 00:14:09,167
Brenda, they are calling and calling!
Answer your cell phone, chi...!
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00:14:09,667 --> 00:14:10,667
I'm coming!
199
00:14:12,000 --> 00:14:15,100
[voicemail] Hello, this is Brenda.
Leave your message. Bye!
200
00:14:16,567 --> 00:14:17,567
Brenda...
201
00:14:18,968 --> 00:14:20,334
They killed Güero.
202
00:14:21,167 --> 00:14:23,133
I had to escape from the house.
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00:14:23,767 --> 00:14:26,567
You have to tell him all this
to Chinese, do you understand me?
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00:14:26,701 --> 00:14:28,000
We have to escape.
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00:14:28,400 --> 00:14:29,868
They are going to be looking for us.
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00:14:30,100 --> 00:14:32,934
Tell the Chinese and that's it...
I'm going there.
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00:14:33,567 --> 00:14:35,267
Call me urgently.
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00:14:37,300 --> 00:14:43,300
[fast instrumental music]
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00:15:04,434 --> 00:15:05,733
[Brenda]
No, gentlemen...
210
00:15:05,734 --> 00:15:08,767
Brenda, your cell phone is ringing
and it rings, and it's going to burst!
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00:15:09,567 --> 00:15:11,767
[Brenda] Of course, come on,
let's go take a bath.
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00:15:13,868 --> 00:15:14,999
What are those screams?
213
00:15:15,000 --> 00:15:18,566
Your cell phone is going to burst.
And let's see if you change that.
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00:15:18,567 --> 00:15:19,868
so queer little music...
215
00:15:24,767 --> 00:15:26,600
Hey, it was Comadre Teresa.
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00:15:26,601 --> 00:15:28,734
Were you that busy
that you couldn't answer?
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00:15:31,167 --> 00:15:32,166
Don't you see?
218
00:15:32,167 --> 00:15:35,000
You can't keep getting involved
that crap here, in the house!
219
00:15:35,968 --> 00:15:37,734
Don't you mind the kids seeing you?
220
00:15:38,567 --> 00:15:39,968
[Brenda]
Listen to me!
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00:15:41,133 --> 00:15:44,634
You're crazy in the head, dude,
and I'm going to tell Güero.
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00:15:44,734 --> 00:15:46,968
- Just...
- It's worth nothing to me. Tell Güero what?
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00:15:48,367 --> 00:15:52,367
[mark on cell phone]
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00:15:52,701 --> 00:15:53,767
[message from Teresa]
Brenda,
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00:15:55,200 --> 00:15:59,367
they killed Güero.
I had to escape from the house.
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00:16:00,200 --> 00:16:02,667
You have to tell him all this
to Chinese, do you understand me?
227
00:16:03,100 --> 00:16:05,901
We have to escape.
They're going to be looking for us.
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00:16:07,300 --> 00:16:10,400
[tense music]
229
00:16:11,167 --> 00:16:12,434
They killed Güero.
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00:16:13,667 --> 00:16:14,868
What are we going to do?
231
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Peel us! Bring the kids!
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00:16:18,767 --> 00:16:19,999
[Brenda screams]
233
00:16:20,000 --> 00:16:21,933
[shot]
234
00:16:21,934 --> 00:16:23,733
Where, girl? Where to?
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00:16:23,734 --> 00:16:27,433
[Brenda screams]
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00:16:27,434 --> 00:16:28,299
[indistinct speech]
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00:16:28,300 --> 00:16:30,167
You stay still for me, dude.
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00:16:32,968 --> 00:16:34,634
[two shots]
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00:16:35,534 --> 00:16:36,601
Quiet!
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00:16:38,100 --> 00:16:41,099
[Brenda]
No, leave it!
241
00:16:41,100 --> 00:16:42,667
[shot]
242
00:16:44,167 --> 00:16:48,234
[instrumental music]
243
00:16:53,501 --> 00:16:56,934
How do you see, my Pot?
Which is for personal consumption.
244
00:17:00,634 --> 00:17:05,733
Oh, Chinese! You know me. you know
245
00:17:05,734 --> 00:17:08,066
that traitors piss me off.
246
00:17:08,067 --> 00:17:09,601
But the thieves...
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The thieves purge me, wretch.
248
00:17:14,000 --> 00:17:17,000
This merchandise is not yours, dad.
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00:17:17,534 --> 00:17:20,666
Want? Do you want a pass?
Come on, get a pass! Come on!
250
00:17:20,667 --> 00:17:22,534
That's how I like it, suck it all!
251
00:17:23,834 --> 00:17:24,533
[Chinese gasps]
252
00:17:24,534 --> 00:17:27,033
What will be the last
What are you going to get into, poor thing.
253
00:17:29,234 --> 00:17:34,400
[fast instrumental music]
254
00:17:35,100 --> 00:17:36,234
Come on, Pote.
255
00:17:48,601 --> 00:17:51,968
[voicemail] Hello, this is Brenda.
Leave your message. Bye!
256
00:17:52,334 --> 00:17:53,800
[voicemail beep]
257
00:17:53,801 --> 00:17:55,501
[Remember the Chinese voice]
I'm getting you into a big mess.
258
00:17:56,200 --> 00:17:58,501
We are entering
to the wolf's cave, chulita.
259
00:18:13,834 --> 00:18:16,533
But why so worried,
my Güero? Rejoice, it is a
260
00:18:16,534 --> 00:18:17,968
pachangota, right?
261
00:18:18,200 --> 00:18:21,166
Let's see, my queen. When they are
The big ones are not called pachanga,
262
00:18:21,167 --> 00:18:23,299
- It's called a work meeting.
-Ah...!
263
00:18:23,300 --> 00:18:25,567
Come on, my queen. That!
264
00:18:28,067 --> 00:18:31,100
Look, Teresita,
today is a very important day
265
00:18:31,868 --> 00:18:34,167
because you are going to know
to Don Epifanio Vargas,
266
00:18:34,634 --> 00:18:38,867
to the man I owe everything
what I am, because he is my godfather.
267
00:18:38,868 --> 00:18:41,167
And one or another boss out there
very important.
268
00:18:42,100 --> 00:18:44,132
-And so?
-And so?
269
00:18:44,133 --> 00:18:48,367
Look, the moment they see her,
There is no turning back there.
270
00:18:48,634 --> 00:18:51,900
- They are going to identify her as my wife.
-And then?
271
00:18:51,901 --> 00:18:52,968
And then?
272
00:18:53,300 --> 00:18:56,299
Well, they're going to link her with my luck.
Because if it suits me
273
00:18:56,300 --> 00:18:58,467
very good, you too.
274
00:18:59,434 --> 00:19:03,000
But if things go wrong,
It's going to be really bad for him.
275
00:19:04,200 --> 00:19:05,199
So there's still time
276
00:19:05,200 --> 00:19:07,167
so that it breaks, my queen.
277
00:19:10,300 --> 00:19:12,367
No, well, what's wrong?
not even eight quarters.
278
00:19:12,801 --> 00:19:14,900
I'm not going to let him go alone
to that disco business meeting.
279
00:19:14,901 --> 00:19:17,367
How about you find
with a teiboler? Hey?
280
00:19:17,901 --> 00:19:18,934
Then it's late.
281
00:19:21,501 --> 00:19:24,968
-Did you get cold or what?
-Cold to me? Cold in the alps.
282
00:19:25,400 --> 00:19:29,467
- And if you want, iron. Come on.
- That's what I said, Potecillo.
283
00:19:29,567 --> 00:19:32,733
Who can make a landing
so crazy more than Güero Dávila himself?
284
00:19:32,734 --> 00:19:35,466
[man] Güero, where were you going?
[Güero] Here we go.
285
00:19:35,467 --> 00:19:36,266
[Guero]
What happened, Pote? How are you?
286
00:19:36,267 --> 00:19:38,833
[Pote] Well, just here,
taking care of the planes.
287
00:19:38,834 --> 00:19:40,266
[Güero] How good!
[Pot] As it should be.
288
00:19:40,267 --> 00:19:43,166
Well, I present to you nothing more
and nothing less than the owner of my
289
00:19:43,167 --> 00:19:44,299
bank accounts.
290
00:19:44,300 --> 00:19:45,166
[laughs]
291
00:19:45,167 --> 00:19:47,867
[Güero] Teresita Mendoza.
[Pote] Miss, how good!
292
00:19:47,868 --> 00:19:48,967
[Cat] How do you do it, Güerito?
How do you do it?
293
00:19:48,968 --> 00:19:51,667
You always bring pure retechula girlfriends,
my truth from God.
294
00:19:52,667 --> 00:19:55,166
No, no offense, miss,
don't be offended. It's a compliment.
295
00:19:55,167 --> 00:19:57,533
Well, get ready, here you go
Let's start the friends from Sinaloa
296
00:19:57,534 --> 00:19:58,900
to touch us. Let's go.
297
00:19:58,901 --> 00:20:04,968
[instrumental music]
298
00:20:23,434 --> 00:20:26,434
[tense music]
299
00:20:33,901 --> 00:20:34,934
Chinese?
300
00:20:37,200 --> 00:20:40,333
[sobs]
301
00:20:40,334 --> 00:20:42,901
Chinese. Chinese...
302
00:20:46,100 --> 00:20:47,133
Brenda!
303
00:20:47,534 --> 00:20:53,534
[sobs]
304
00:21:05,734 --> 00:21:10,267
Brenda.
305
00:21:11,567 --> 00:21:17,567
[sobs]
306
00:21:26,267 --> 00:21:32,267
[instrumental music]
307
00:21:42,968 --> 00:21:48,968
[instrumental music]
308
00:21:56,234 --> 00:21:59,734
-What was it, Pote?
- Nothing. Nothing, Cat.
309
00:22:06,934 --> 00:22:11,032
"For the most beautiful flower of
310
00:22:11,033 --> 00:22:17,032
Culiacán. Happy anniversary...
311
00:22:17,033 --> 00:22:21,366
anniversary. Your Güero".
312
00:22:21,367 --> 00:22:22,600
Pinche Güero cheesy.
313
00:22:22,601 --> 00:22:23,766
[laughs]
314
00:22:23,767 --> 00:22:25,233
And what is that?
315
00:22:25,234 --> 00:22:27,399
He received the last call
about two hours ago.
316
00:22:27,400 --> 00:22:29,800
Pos about two hours ago
that we went to Güero.
317
00:22:29,801 --> 00:22:32,634
It seems to me
They told this little girl everything.
318
00:22:33,367 --> 00:22:34,166
Yes.
319
00:22:34,167 --> 00:22:37,000
[Cat]
Let's go.
320
00:22:37,100 --> 00:22:39,601
"For my Güero. Yours, Teresa."
321
00:22:39,934 --> 00:22:45,534
Yours, yours... Yes, you must have already
given to the middle of Culiacán. And I'm missing.
322
00:22:45,734 --> 00:22:48,766
Hey! Cat, more respect.
It's Güero's old lady.
323
00:22:48,767 --> 00:22:53,033
It was, Pote. Was! He is already deceased.
What do you not remember?
324
00:22:53,968 --> 00:22:57,300
-How does it look on me?
- Let's go, we have to find her.
325
00:22:57,434 --> 00:23:01,234
Don't worry, Potecito.
I have an idea where it could be.
326
00:23:01,334 --> 00:23:07,334
[tense music]
327
00:23:17,934 --> 00:23:22,868
[tense music]
328
00:23:24,367 --> 00:23:26,933
[remembers] And how do I know that I am
facing the situation, my Güero?
329
00:23:26,934 --> 00:23:31,132
[voice of Güero] The situation
It is a moment where everything or nothing
330
00:23:31,133 --> 00:23:32,600
it can happen.
331
00:23:32,601 --> 00:23:35,533
A circumstance where your life
is decided in fraction of
332
00:23:35,534 --> 00:23:38,999
seconds. It can have several faces.
333
00:23:39,000 --> 00:23:41,433
It can be a person
that he approaches you or that he passes you
334
00:23:41,434 --> 00:23:44,399
by the side and say: "Good morning."
335
00:23:44,400 --> 00:23:46,501
Or just smile at you.
336
00:23:46,734 --> 00:23:50,834
But there will be something strange about that smile or
in that look that will catch your attention.
337
00:23:51,434 --> 00:23:54,767
It's a feeling
Like there's something crooked here.
338
00:23:55,067 --> 00:24:00,266
A moment later,
You will be dead or alive. That's just going to
339
00:24:00,267 --> 00:24:02,434
depend on you.
340
00:24:03,200 --> 00:24:06,166
And believe me, my queen, it is better
let them kill you, let them take you
341
00:24:06,167 --> 00:24:10,133
to the desert with a blowtorch
of acetylene and, with great patience,
342
00:24:11,200 --> 00:24:13,167
ask you some questions.
343
00:24:13,334 --> 00:24:15,766
The problem of questions
It's not that you know the answers,
344
00:24:15,767 --> 00:24:17,901
but you don't know them.
345
00:24:18,033 --> 00:24:22,766
Shoot, my queen. Open
legs, stand up, feel it.
346
00:24:22,767 --> 00:24:25,633
No, no... don't put your hand here on...
347
00:24:25,634 --> 00:24:28,666
below. Put it here on the wrist.
That only happens in the movies.
348
00:24:28,667 --> 00:24:30,334
So that he kicks you less.
349
00:24:32,567 --> 00:24:33,566
Let's see, come on.
350
00:24:33,567 --> 00:24:34,700
[shot]
351
00:24:34,701 --> 00:24:36,566
Aim lower than the target.
352
00:24:36,567 --> 00:24:40,132
Imagine that each of those
cans is a guy who loves you
353
00:24:40,133 --> 00:24:41,400
kill, my love.
354
00:24:46,868 --> 00:24:47,933
[shot]
355
00:24:47,934 --> 00:24:49,099
That!
356
00:24:49,100 --> 00:24:52,834
[shots]
357
00:24:53,033 --> 00:24:58,467
Oh...! Lovely.
358
00:24:58,701 --> 00:25:02,333
[tense music]
359
00:25:02,334 --> 00:25:05,733
[gasps]
360
00:25:05,734 --> 00:25:07,968
[remembers the Chino's voice] No one knows
the existence of this place, Teresa.
361
00:25:09,033 --> 00:25:11,267
You are the first person I brought.
362
00:25:13,300 --> 00:25:16,167
But I don't understand
what are we doing here.
363
00:25:16,801 --> 00:25:19,000
And not even this canton is safe.
364
00:25:19,200 --> 00:25:22,067
You never know who did me
having seen him enter or leave.
365
00:25:23,667 --> 00:25:26,234
In Culichi land everything is known.
366
00:25:28,033 --> 00:25:31,733
Look, this ticket is for you
367
00:25:31,734 --> 00:25:34,066
you escape in case of emergency.
368
00:25:34,067 --> 00:25:37,267
What do I escape?
What are you talking about?
369
00:25:37,934 --> 00:25:39,800
Listen very well to what I have for you.
What to say, Teresa Mendoza,
370
00:25:39,801 --> 00:25:43,567
because this is not a game. Hey?
It's very serious.
371
00:25:44,300 --> 00:25:47,333
If they catch me, and catch me alive,
it is very likely
372
00:25:47,334 --> 00:25:51,766
that I can endure very little before
to start singing the rancheras.
373
00:25:51,767 --> 00:25:53,933
I hope to curb my tongue
until you catch all this
374
00:25:53,934 --> 00:25:55,999
and you can escape from them, eh?
375
00:25:56,000 --> 00:25:57,299
But who are they?
376
00:25:57,300 --> 00:26:01,000
Well, them, my life, all of them,
even your own shadow.
377
00:26:01,434 --> 00:26:04,600
In this business the enemy
It's everywhere, huh?
378
00:26:04,601 --> 00:26:08,399
So, here is my gringo passport,
your passport with American visa.
379
00:26:08,400 --> 00:26:09,132
No, you're crazy.
380
00:26:09,133 --> 00:26:12,466
Now, beggar, Güero, I don't want to know
none of that. I don't want to hear that.
381
00:26:12,467 --> 00:26:15,066
Let's see, my love, then you're leaving me
to have to listen because it is coming
382
00:26:15,067 --> 00:26:16,234
the most important thing.
383
00:26:18,434 --> 00:26:22,600
I'm going to give you this cell phone
and I want you to keep it like you
384
00:26:22,601 --> 00:26:27,534
life itself. Take good care of him,
Never let go, huh?
385
00:26:28,334 --> 00:26:29,400
So that?
386
00:26:29,968 --> 00:26:33,734
If this cell phone rings,
it's that I'm dead.
387
00:26:34,033 --> 00:26:35,968
-That?
- Then run, little girl. Runs.
388
00:26:36,200 --> 00:26:39,000
Run because I won't be there
to help you.
389
00:26:40,000 --> 00:26:44,834
And, if you get somewhere alive,
pour a tequila in my memory.
390
00:26:45,701 --> 00:26:47,433
For the good times, my chula.
391
00:26:47,434 --> 00:26:50,700
[Teresa] Let's see, Güero, get off.
[Güero] Now, my life, now. My life, heart,
392
00:26:50,701 --> 00:26:52,766
yeah, yeah...
393
00:26:52,767 --> 00:26:55,199
This is how we had to live, my love.
394
00:26:55,200 --> 00:27:00,766
But we are alive now.
Here we are... my little cousin.
395
00:27:00,767 --> 00:27:06,200
[instrumental music]
396
00:27:06,834 --> 00:27:12,834
[sobs]
397
00:27:27,267 --> 00:27:29,267
[sobs]
398
00:27:41,167 --> 00:27:45,267
[tense music]
399
00:27:47,167 --> 00:27:49,366
Unfortunate guy.
400
00:27:49,367 --> 00:27:54,133
[gasps]
401
00:27:54,734 --> 00:28:00,801
[instrumental music]
402
00:28:10,300 --> 00:28:16,300
[instrumental music]
403
00:28:24,801 --> 00:28:30,801
[instrumental music]
404
00:28:39,934 --> 00:28:45,934
[instrumental music]
405
00:28:55,467 --> 00:29:02,167
[instrumental music]
406
00:29:03,501 --> 00:29:06,766
Where to, Teresita?
407
00:29:06,767 --> 00:29:08,300
Why such a hurry, my daughter?
408
00:29:09,234 --> 00:29:15,234
[intense instrumental music]
409
00:29:20,434 --> 00:29:21,733
Just look who we have
410
00:29:21,734 --> 00:29:25,566
here, Potecito.
To Teresa Mendoza herself.
411
00:29:25,567 --> 00:29:29,434
Very cool, the jacket.
Wasn't I at full strength?
412
00:29:30,334 --> 00:29:33,700
What did they do to Güero?
413
00:29:33,701 --> 00:29:37,066
Oh, by the way! Güero himself
sends you congratulations
414
00:29:37,067 --> 00:29:39,467
- for your anniversary.
-Where is?
415
00:29:39,567 --> 00:29:42,133
Hey, Pote. wants
know where Güero is.
416
00:29:42,234 --> 00:29:44,700
Here we come, Gato.
417
00:29:44,701 --> 00:29:47,500
You know what business is like, Teresita.
Your Güerito wanted
418
00:29:47,501 --> 00:29:50,667
get smart and, well, well, he died.
419
00:29:51,667 --> 00:29:53,433
Children of their mother dog.
420
00:29:53,434 --> 00:29:54,166
[slap]
421
00:29:54,167 --> 00:29:55,601
Ah!
422
00:29:57,067 --> 00:30:00,166
Be very careful with that little mouth, Teresita.
you are a girl
423
00:30:00,167 --> 00:30:03,900
very pretty to walk
saying bad words.
424
00:30:03,901 --> 00:30:05,500
Where to? Hey? Where to?
That I haven't told him anything.
425
00:30:05,501 --> 00:30:08,366
[Cat] Where do you want to go?
[Pote] Hey, Gato, you better hurry him up.
426
00:30:08,367 --> 00:30:10,501
What's your hurry, Pote? Hey?
427
00:30:11,100 --> 00:30:14,299
This old lady needs comfort
and I'm going to give it to you.
428
00:30:14,300 --> 00:30:17,234
[Teresa] Let go of me, let me go!
[Pote] Gato, it's not worth it, it's the old one
429
00:30:17,467 --> 00:30:20,400
del Güero,
and Güero was our buddy.
430
00:30:21,234 --> 00:30:23,567
Don't worry, miss,
It won't hurt.
431
00:30:24,000 --> 00:30:27,901
It's up to you, my Pot.
There are three soups, no more.
432
00:30:28,200 --> 00:30:33,033
You fuck with me, you leave
or we'll hang on to each other, compadre.
433
00:30:34,100 --> 00:30:38,033
[instrumental music]
434
00:30:39,033 --> 00:30:41,234
Do whatever you want.
435
00:30:45,667 --> 00:30:47,534
Finally alone, mamacita.
436
00:30:49,767 --> 00:30:58,166
Let go of me!
437
00:30:58,167 --> 00:31:02,733
[gasps]
438
00:31:02,734 --> 00:31:06,067
What, cool? Are you already weaker?
439
00:31:06,934 --> 00:31:08,067
We've already started, now.
440
00:31:11,868 --> 00:31:14,800
What did they do to Güero?
441
00:31:14,801 --> 00:31:18,033
He talked to me
when I was landing.
442
00:31:18,234 --> 00:31:22,267
What did they do to him?
443
00:31:23,567 --> 00:31:24,567
Have you arrived yet?
444
00:31:24,667 --> 00:31:27,000
I wanted to land at the house,
but the ceiling is very short, my love.
445
00:31:28,667 --> 00:31:31,834
Happy anniversary, my Güero,
and thanks for my flowers.
446
00:31:33,334 --> 00:31:34,968
I also have a gift for you.
447
00:31:35,267 --> 00:31:38,032
[Güero] No, you're welcome, my love.
Happy anniversary, my little cousin.
448
00:31:38,033 --> 00:31:40,600
In an hour we'll see you at the house
with the surprise I promised you.
449
00:31:40,601 --> 00:31:44,234
So be very pretty because this
We're going crazy tonight, my life.
450
00:31:44,434 --> 00:31:48,200
Well then I'm leaving
to take a bridal bath. I love you.
451
00:31:48,534 --> 00:31:50,466
I love you too, my little cousin,
452
00:31:50,467 --> 00:31:53,366
and I warn you that when you see
the gift I have for you, you leave
453
00:31:53,367 --> 00:31:56,000
to fall in love with me even more.
454
00:32:01,801 --> 00:32:04,200
Well, what do you bring?
that unfortunate Güero?
455
00:32:06,868 --> 00:32:12,566
What then, Teresita,
Are you already looser, more cooperative?
456
00:32:12,567 --> 00:32:18,066
Now our time has come,
my love So longed for,
457
00:32:18,067 --> 00:32:21,166
long awaited you, my heaven.
458
00:32:21,167 --> 00:32:24,501
Oops, little one.
459
00:32:29,868 --> 00:32:32,500
If you are going to rape me,
don't be an ass and take off your jacket
460
00:32:32,501 --> 00:32:35,234
that I gave to Güero.
461
00:32:35,567 --> 00:32:38,867
I have another better idea, my love.
Why don't I leave it
462
00:32:38,868 --> 00:32:43,566
stand and that's how you imagine
What am I your Güerito? And I'll tell you how
463
00:32:43,567 --> 00:32:47,968
ended his days, while you and I
We enjoy like the mere good ones.
464
00:32:50,534 --> 00:32:51,867
Do you like my idea?
465
00:32:51,868 --> 00:32:54,601
The truth is that I love it again.
466
00:32:55,334 --> 00:32:59,534
[fast instrumental music]
467
00:32:59,734 --> 00:33:02,733
Oops, oops, oops!
468
00:33:02,734 --> 00:33:07,701
[fast instrumental music]
469
00:33:08,434 --> 00:33:12,801
You don't disappoint me at all, Teresita.
470
00:33:18,634 --> 00:33:22,900
Now yes, Teresita,
so much that I was waiting for you.
471
00:33:22,901 --> 00:33:26,333
Do you really want
know the end of Güero?
472
00:33:26,334 --> 00:33:31,100
It's good, mamacita,
I'm going to tell you, slut.
473
00:33:34,534 --> 00:33:37,901
[instrumental music]
474
00:33:40,467 --> 00:33:43,733
The very traitor of Güerito,
475
00:33:43,734 --> 00:33:47,634
he brought a very large load
of coca from Colombia.
476
00:33:51,000 --> 00:33:56,333
Really, really, the guy
It was very good for landings
477
00:33:56,334 --> 00:34:00,867
on short track, but this time,
This time we had him ready
478
00:34:00,868 --> 00:34:04,033
a little surprise, a welcome.
479
00:34:06,767 --> 00:34:08,901
[shot]
480
00:34:09,968 --> 00:34:11,633
[shots]
481
00:34:11,634 --> 00:34:14,701
[tense music]
482
00:34:16,501 --> 00:34:19,534
[shots]
483
00:34:21,100 --> 00:34:23,000
[shots]
484
00:34:25,501 --> 00:34:28,501
[shots]
485
00:34:30,100 --> 00:34:34,200
[tense music]
486
00:34:35,067 --> 00:34:37,601
[shots]
487
00:34:47,567 --> 00:34:53,266
Well, you see, so many kilos of merchandise
and lead were too much
488
00:34:53,267 --> 00:34:55,733
weight for the poor plane.
489
00:34:55,734 --> 00:35:00,334
[several men] Güero!
[Cat] Come on, come on!
490
00:35:01,133 --> 00:35:03,834
[man]
Move.
491
00:35:04,534 --> 00:35:06,132
Move him to the other side, González.
492
00:35:06,133 --> 00:35:09,767
[indistinct speech]
493
00:35:11,067 --> 00:35:13,167
Well, soon.
494
00:35:13,734 --> 00:35:17,600
Wait, Batman, give me a chance.
This Güerito and I
495
00:35:17,601 --> 00:35:22,199
we have an outstanding debt
and I'm going to charge it. It's the minimum
496
00:35:22,200 --> 00:35:23,701
What can you do for me?
497
00:35:24,167 --> 00:35:26,033
Are you threatening me, Rats?
498
00:35:27,467 --> 00:35:30,700
What happens if I say it doesn't give me
my gift wins? Are you going to leave me
499
00:35:30,701 --> 00:35:31,500
to accuse your uncle?
500
00:35:31,501 --> 00:35:36,333
Nel, nel, but I'm going to stay
indebted to you forever
501
00:35:36,334 --> 00:35:39,400
and you can charge whenever you want.
502
00:35:39,767 --> 00:35:41,067
We are friends.
503
00:35:41,734 --> 00:35:42,900
[indistinct speech]
504
00:35:42,901 --> 00:35:45,066
Pray to him, then.
505
00:35:45,067 --> 00:35:48,500
[indistinct speech]
506
00:35:48,501 --> 00:35:52,968
What happened, daddy?
Now you're going to die, right?
507
00:35:55,567 --> 00:36:00,934
Just look
and you're going to die warm, dad.
508
00:36:06,133 --> 00:36:08,199
[Cat]
The good... the good thing about all this,
509
00:36:08,200 --> 00:36:11,300
Teresita, the thing is that the carnalito...
510
00:36:11,834 --> 00:36:17,399
the carnalito did not suffer,
He died... he died quickly.
511
00:36:17,400 --> 00:36:19,400
Güerito on the embers.
512
00:36:21,534 --> 00:36:27,534
[fast percussion music]
513
00:36:45,501 --> 00:36:47,501
[explosion]
514
00:36:50,300 --> 00:36:52,901
[shot]
515
00:36:55,000 --> 00:36:59,334
[tense music]
516
00:36:59,534 --> 00:37:01,701
[shot]
517
00:37:02,400 --> 00:37:04,667
[tense music]
518
00:37:07,000 --> 00:37:08,132
[Remember the voice of the Pot]
It's not worth it, Gato, she's old
519
00:37:08,133 --> 00:37:12,100
it is from Güero
and Güero was our companion.
520
00:37:12,334 --> 00:37:16,901
[shot]
521
00:37:21,934 --> 00:37:23,999
[Cat whines]
522
00:37:24,000 --> 00:37:27,166
Cat! What happened?
523
00:37:27,167 --> 00:37:29,634
[Cat whines]
524
00:37:31,634 --> 00:37:37,634
[tense music]
525
00:37:48,067 --> 00:37:50,167
Where do you want to go?
526
00:37:50,968 --> 00:37:55,801
[tense music]
527
00:37:56,200 --> 00:38:02,267
[tense music]
528
00:38:31,501 --> 00:38:33,601
[shots]
529
00:38:36,868 --> 00:38:42,999
Boss, yes, yes, yes...
Look, then, this...
530
00:38:43,000 --> 00:38:49,566
How to say, well... here
Things got ugly and, well...
531
00:38:49,567 --> 00:38:53,700
[Pote] Look, the old woman escaped.
[Skipper] They are idiots.
532
00:38:53,701 --> 00:38:55,999
That they can't handle the old one?
533
00:38:56,000 --> 00:39:00,433
Look, boss, yes, what's happening
It's just that, well... look, I didn't realize
534
00:39:00,434 --> 00:39:04,867
He tells very well where he got it from
a gun and, well, he shot the Cat.
535
00:39:04,868 --> 00:39:09,867
Look, you're looking for Teresa Mendoza
and you cool it down for me, but that's it.
536
00:39:09,868 --> 00:39:14,333
Hey, boss, well, but it's
I can't leave the Cat here alone
537
00:39:14,334 --> 00:39:16,166
He is bleeding, he is going to die.
538
00:39:16,167 --> 00:39:19,032
Well, let him die.
You go and kill Teresa Mendoza
539
00:39:19,033 --> 00:39:21,734
or the dead person is going to be someone else, OK?
540
00:39:26,033 --> 00:39:27,400
You see, boss.
541
00:39:29,634 --> 00:39:31,100
If you had entrusted it to me,
542
00:39:32,534 --> 00:39:35,701
another rooster would crow, right, my love?
543
00:39:40,334 --> 00:39:42,334
Have you already seen?
544
00:39:56,501 --> 00:40:01,634
[soft music]
545
00:40:15,801 --> 00:40:17,433
[soft music]
546
00:40:17,434 --> 00:40:18,566
So much so that I asked you to
547
00:40:18,567 --> 00:40:22,801
you would protect my Güero
and you left him alone.
548
00:40:24,868 --> 00:40:27,300
You let them kill me.
549
00:40:29,334 --> 00:40:35,334
[soft music]
550
00:40:45,467 --> 00:40:46,833
[remembers Güero's voice]
Never open that agenda
551
00:40:46,834 --> 00:40:49,366
because what it says there can affect you
552
00:40:49,367 --> 00:40:51,167
take to the
lie down or it can save you.
553
00:40:55,767 --> 00:40:57,601
Give it to them without reading it
554
00:40:57,767 --> 00:41:00,934
to Don Epifanio,
Tell him you give it to him in exchange for your life.
555
00:41:03,968 --> 00:41:07,167
My love, I present to you
to Epifanio Vargas, my godfather.
556
00:41:08,200 --> 00:41:10,534
Nice to meet you.
557
00:41:11,300 --> 00:41:14,032
You are very pretty,
You're cool, right?
558
00:41:14,033 --> 00:41:16,433
Oh, thank you very much.
Good afternoon.
559
00:41:16,434 --> 00:41:18,433
- Good afternoon.
- What good taste you have.
560
00:41:18,434 --> 00:41:21,700
Thank you. We buy from you
a little gift Of the two.
561
00:41:21,701 --> 00:41:23,734
- Let's see if he likes it.
- It's any little thing.
562
00:41:24,834 --> 00:41:25,967
I chose it.
563
00:41:25,968 --> 00:41:29,999
A little tie, huh? Look.
For the time I wear little suits.
564
00:41:30,000 --> 00:41:31,934
Yes of course.
565
00:41:33,067 --> 00:41:36,099
Teresa Mendoza broke down with the Cat
and left here. To these
566
00:41:36,100 --> 00:41:40,133
heights of the match we do not know
nor where he is, nor how much he knows.
567
00:41:40,701 --> 00:41:43,033
But what can
know that girl, man?
568
00:41:43,567 --> 00:41:47,700
No, Güero never spoke
of their businesses. I don't think she
569
00:41:47,701 --> 00:41:49,233
be a danger to anyone.
570
00:41:49,234 --> 00:41:52,533
Ah, don't trust yourself, man. The old ones
they always find a way
571
00:41:52,534 --> 00:41:54,801
to find out what they want
with their husbands.
572
00:41:55,200 --> 00:41:59,733
[cell phone ring]
573
00:41:59,734 --> 00:42:01,467
Speaking of the king of Rome.
574
00:42:02,534 --> 00:42:04,500
Tell her where she is and don't screw her. Tell him.
575
00:42:04,501 --> 00:42:05,567
Wait.
576
00:42:08,467 --> 00:42:09,999
Don Epifanio?
577
00:42:10,000 --> 00:42:14,199
Teresita, I already found out
about what happened to Güero, man.
578
00:42:14,200 --> 00:42:16,834
Where are you, my little girl?
579
00:42:17,567 --> 00:42:23,567
[tense music]
580
00:42:25,801 --> 00:42:27,133
[man]
Thank you for calling.
581
00:42:28,501 --> 00:42:29,501
I'm sure I'll go...
582
00:42:51,767 --> 00:42:57,267
[tense music]
583
00:42:58,067 --> 00:43:00,501
Hold on, hold on.
584
00:43:02,000 --> 00:43:08,000
[tense music]
585
00:43:18,133 --> 00:43:24,133
[tense music]
586
00:43:42,901 --> 00:43:48,901
[suspense music]
587
00:44:02,000 --> 00:44:04,100
[cocks gun]
588
00:44:04,601 --> 00:44:10,601
[suspense music]
589
00:44:31,667 --> 00:44:33,667
Don Epifanio.
590
00:44:34,868 --> 00:44:37,399
Thanks for coming.
591
00:44:37,400 --> 00:44:38,634
I need you to help me.
592
00:44:40,133 --> 00:44:43,800
Oh, my little girl, I'm sorry to tell you
593
00:44:43,801 --> 00:44:45,734
that I can't do anything for you.
594
00:44:48,400 --> 00:44:50,367
You are already dead, Teresa Mendoza.
595
00:44:52,334 --> 00:44:53,834
You are dead, my daughter.
596
00:44:54,868 --> 00:44:57,868
[very intense music]